Showing posts with label Lonnie Johnson. Show all posts
Showing posts with label Lonnie Johnson. Show all posts

Tuesday, August 30, 2011

Louis Armstrong in digital stereo, Great Original Performances 1923-1931

Editado originalmente en formato LP en 1985 por cuenta de BBC Records (pero sólo con 16 temas) ésta es la edición digital de 1997 de la que resulta ser, para mucha gente, la mejor restauración sonora de las fundamentales grabaciones de Louis con sus Hot Five, Hot Seven y demás formaciones a finales de los años 20.
O quizás, simplemente, la más asequible a oídos "modernos". En realidad, de ninguna manera cambiaría, personalmente, esta recopilación por la integral de cuatro CDs de JSP, pero el caso es que nada nos impide disfrutar también de los controvertidos experimentos sonoros del ingeniero Robert Parker (y su "estéreo virtual"), habida cuenta de que los resultados son en algunos de los casos sinceramente espectaculares ("Willie The Weaper", "Potato Head Blues", "S.O.L. Blues", "Hotter Than That", "West End Blues"). Como lo es la propia música también, evidentemente. En realidad, y salvando solamente la ausencia de tres o cuatro temas que deberían ser inevitables en cualquier recopilación de este período ("Big Butter and Egg Man", "Cornet Chop Suey", "Weather Bird", "Beau Koo Jack"), yo diría que está muy cerca de ser la perfecta antología/introducción, en un sólo disco, del Evangelio del Jazz.
-Jay Bee Rodríguez


01. Wild Man Blues
02. Snake Rag

03. Muskrat Ramble

04. Willie the Weeper

05. Alligator Crawl

06. Potato Head Blues

07. Melancholy Blues

08. Weary Blues

09. Twelfth Street Rag

10. Keyhole Blues

11. S.O.L. Blues

12. Gully Low Blues

13. That's When I'll Come Back to You

14. Ory's Creole Trombone

15. Struttin' With Some Barbecue

16. Hotter Than That

17. Symphonic Raps

18. West End Blues

19. Muggles

20. Save It, Pretty Mama

21. St. James Infirmary

22. Knockin' a Jug

23. St. Louis Blues

24. Lonesome Road


hotjazzandcoolblues

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Thursday, January 27, 2011

La "Historia del Blues" de Paul Oliver (2)

El especialista británico Paul Oliver también se encargó en los años 60 de la programación de otras antologías para el mismo sello CBS como complemento perfecto de otros tántos libros suyos sobre blues, como "Conversation With The Blues" (centrado en las grabaciones de campo), "Savannah Syncopators" (los orígenes africanos del blues), "Screenin' The Blues", etc. Pero creo que pueden ser los dos dobles álbumes "Story" los más completos y variados, así como las introducciones ideales para empezar a conocer lo mejor que este género puede ofrecer. Los blues de verdad, claro está, no las aproximaciones al género por parte de músicos blancos más o menos célebres.
Editado en España hacia 1977 con las notas e información originales bien traducidas, aunque con un diseño de cubierta tópico y fuera de lugar (las cadenas de la esclavitud), el segundo volúmen viene dividido en cuatro apartados atendiendo a un criterio instrumental: Guitarristas, Pianistas, Cantantes Femeninas y Bandas. Algunos intérpretes casi totalmente desconocidos, pero de primera calidad, junto a otros nombres bien familiares para el aficionado, completan esta excepcional antología, con grabaciones correspondientes a un período muy amplio: 1924 a 1968.

-Jay Bee Rodríguez

Guitar Pickers

01. Curley Weaver - No No Blues (3:07)
02. Little Hat Jones - Hurry Blues (3:09)
03. Emery Glen - Blue Blazes Blues (2:54)
04. 'Mooch' Richardson - Low Down Barrelhouse Blues (3:17)
05. Lonnie Johnson - Broken Levee Blues (3:18)
06. Buddy Moss - Undertaker Blues (3:09)
07. J.B. Lenoir - Mojo Boogie (2:44)
08. Son House - Pearline (4:31)

Piano Players

09. Whistlin' Alex Moore - West Texas Woman (2:55)
10. Sylvester Palmer - Lonesome Man Blues (3:31)
11. George Noble - The Seminole Blues (3:10)
12. Cripple Clarence Lofton - Brown Skin Girls (2:48)
13. Bumble Bee Slim - Ramblin' With That Woman (2:56)
14. Roosevelt Scott - Black Gal Blues (2:52)
15. Roosevelt Sykes - Training Camp Blues (2:51)
16. Champion Jack Dupree - Junker Blues (2:43)

Blues Girls

17. Maggie Jones - Good Time Flat Blues (3:08)
18. Clara Smith - Whip It To A Jelly (3:21)
19. Cleo Gibson - I've Got Ford Movements In My Hips (3:23)
20. Martha Copeland - Desert Blues (3:11)
21. Victoria Spivey - Christmas Morning Blues (3:19)
22. Liza Brown & Ann Johnson - Get On Out Of Here (3:12)
23. The Yas Yas Girl - Good Old Easy Street (2:46)
24. Big Maybelle - Maybelle's Blues (3:12)

Blues Groups

25. Kansas Joe & Memphis Minnie - That Will Be Alright (3:08)
26. Mississippi Mud Steppers - Jackson Stomp (3:12)
27. Jazzbo Tommy & His Lowlanders - Blaze Face Cow (2:35)
28. Duskey Dailey & His Band - Miss Georgia Blues (2:35)
29. Willie 'Long Time' Smith - My Buddy Doctor Clayton (2:59)
30. Otis Rush - Love That Woman (2:55)
31. Magic Sam - All Your Love (2:52)
32. John Littlejohn - Been Around The World (5:20)

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hotjazzandcoolblues

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Wednesday, July 7, 2010

VA - Legends of the Blues, volume One


This CD serves as a perfect introduction to pre-war blues for the novice since it contains fine examples of the music of 20 blues artists: Bessie Smith, Blind Lemon Jefferson, Mississippi John Hurt, Blind Willie Johnson, Bo Carter, Blind Willie McTell, Lonnie Johnson, Charley Patton, Leroy Carr, Josh White, Leadbelly, Peetie Wheatstraw, Robert Johnson, Blind Boy Fuller, Big Bill Broonzy, Memphis Minnie, Bukka White, Muddy Waters, Big Joe Williams and Son House. Four selections are from the '20s, Son House's "Death Letter" is from 1965, and otherwise the music dates from 1931-1947. The who's who roster includes practically every early great (Tampa Red is missing but Washboard Sam and the first Sonny Boy Williamson appear as sidemen) and, with nine previously unreleased selections (both alternate takes and "new" performances), this CD is an essential purchase for both beginning and veteran collectors alike. ~ Scott Yanow, All Music Guide


01. St. Louis Blues - Bessie Smith
02. Match Box Blues - Blind Lemon Jefferson
03. Ain't No Tellin' - Mississippi John Hurt
04. Lord, I Just Can't Keep from Crying - Blind Willie Johnson
05. Pig Meat Is What I Crave - Bo Carter
06. Southern Can Is Mine - Blind Willie McTell
07. Low Down St. Louis Blues - Lonnie Johnson
08. Revenue Man Blues - Charley Patton
09. Stormy Night Blues - Leroy Carr
10. I Believe I'll Make a Change - Josh White
11. Fort Worth and Dallas Blues - Leadbelly
12. Sweet Home Blues - Peetie Wheatstraw
13. Stop Breakin' Down Blues - Robert Johnson
14. Truckin' My Blues Away, No. 2 - Blind Boy Fuller
15. Spreadin' Snake Blues - Big Bill Broonzy
16. Nothing in Rambling - Memphis Minnie
17. Fixin' to Die Blues - Bukka White
18. Hard Day Blues - Muddy Waters
19. Don't You Leave Me Here - Big Joe Williams
20. Death Letter - Son House

hotjazzandcoolblues
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Friday, May 28, 2010

Great Blues Guitarists: String Dazzlers (1924-1940)

Ten excellent blues guitarists are heard on 20 selections dating from 1924-40 on this enjoyable CD reissue from the Columbia/ Legacy series. Included are Sylvester Weaver (the first blues guitarist to record an unaccompanied solo), the team of Lonnie Johnson & Eddie Lang (who are heard on a pair of duets and with singer Texas Alexander), the influential Big Bill Broonzy (superb on "How You Want It Done?"), the always passionate Blind Willie Johnson, Blind Willie McTell, Casey Bill Weldon, Blind Lemon Jefferson ("Black Snake Moan"), Joshua White and Tampa Red. Three previously unheard selections are included on this fine overview but completists will probably prefer to skip over the set in favor of the more comprehensive Document CD's. ~ Scott Yanow


01. Hot Fingers - Lonnie Johnson & Eddie Lang
02. A Handful of Riffs -
Lonnie Johnson & Eddie Lang
03. Work Ox Blues - Texas Alexander with Lonnie Johnson
04. I'm Busy and You Can't Come In - Sylvester Weaver
05. Georgia Rag - Blind Willie McTell
06. Warm It up to Me - Blind Willie McTell
07. When the War Was On - Blind Willie Johnson
08. Nobody's Fault But Mine - Blind Willie Johnson
09. How You Want It Done? - Big Bill Broonzy
10. Getting Older Every Day - Big Bill Broonzy
11. Guitar Swing - Casey Bill Weldon
12. Bull Frog Moan - Lonnie Johnson, Eddie Lang
13. Black Snake Moan - Blind Lemon Jefferson
14. Little Brother Blues - Josh White
15. Prodigal Son - Josh White
16. Denver Blues - Tampa Red
17. Away Down in the Alley Blues - Lonnie Johnson
18. I Love You, Mary Lou - Lonnie Johnson


hot jazz and cool blues

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Tuesday, May 25, 2010

Lonnie Johnson - Playing with the Strings (1925-32)

Lonnie Johnson, prácticamente el inventor de los bendings en la guitarra, una influencia decisiva sobre maestros como T-Bone Walker, Django Reinhart o B.B. King, por citar sólo tres nombres indispensables. En otra ocasión daremos un repaso más detenido a la formidable carrera de este cantante de blues (y violinista, y más cosas) pero sobre todo magistral guitarrista. De momento, y para abrir boca, valga esta antología, remasterizada por John RT Davies, junto a algunos de los más ilustres grupos y músicos de los años 20 y 30.
Verdaderamente, están casi todos: King Oliver, Louis Armstrong, Clarence Williams, Eddie Lang, Hoagy Carmichael, Johnny Dodds, Duke Ellington...
-Jay Bee Rodríguez


From the 1920s to the 1960s, guitarist Lonnie Johnson broke new ground for jazz and blues guitar, performing stunning displays of
six-string virtuosity on recordings with Louis Armstrong, Duke Ellington, Kid Ory, and on numerous solo efforts. But, perhaps because he was so versatile--jumping between hundreds of Delta blues and hot-jazz studio sessions--he's never received his due accolades for being one of the great guitar pioneers. Playing with the Strings captures Johnson's earliest output, from the 1925 recordings with Charlton Creath's Jazz-O-Maniacs to the stunning 1932 solo 78 he recorded featuring "I'm Nuts About That Gal" and "Racketeers Blues." JSP's compilation shows how, in just seven years, Johnson went from playing in Louis Armstrong's Hot Five to working with Duke Ellington to performing in one of the first interracial studio sessions with Eddie Lang, King Oliver, and Hoagy Carmichael (all performing as Blind Willie Dunn's Gin Bottle Four). Throughout, Johnson is in top form on guitar, picking single-note lines in a fashion that would anticipate future jazz guitar sounds. We can hear Johnson playing other instruments, too--kazoo, violin, and banjo--but his guitar mastery steals the show. JSP's transfers of these old 78s are at times spotty, but it's still a great collection of classic tunes. ~ Jason Verlinde

Digitally remastered by John R.T. Davies.

Recording information: Chicago, IL (01/20/1926-02/07/1941); Memphis, TN (01/20/1926-02/07/1941); New York, NY (01/20/1926-02/07/1941); St. Louis, MO (01/20/1926-02/07/1941).

Personnel includes: Louis Armstrong, Duke Ellington, Eddie Lang, King Oliver, Clarence Williams, Johnny Hodges, Kid Ory.



1. Won't Don't Blues (St.Louis, MO, Nov. 2, 1925) - 3:07
Charlton Creath's Jazz-O-Maniacs
Banjo - Pete Petterson
Clarinet, Saxophone [Alto] - Horace Eubanks
Piano - Cranston Hamilton
Saxophone [Alto] - Sam Long
Saxophone [Tenor] - William Rollins
Trumpet - Leonard Davis
Violin - Lonnie Johnson
02. Mr. Johnson's Blues (St.Louis, MO, November 4, 1925) - 2:42
Piano - John Arnold Vocals - Lonnie Johnson
03. Falling Rain Blues (St.Louis, MO, November 4, 1925) - 3:05
Piano - John Arnold Violin, Vocals - Lonnie Johnson
04. Now Good Blues (New York, January 20, 1926) - 2:37
05. Newport Blues (New York, January 20, 1926) - 2:38
James 'Steady Roll' Johnson
Banjo - Lonnie Johnson
Piano - De Louise Soarcy
Vocals, Violin - James Johnson
06. Nile Of Genago (New York, January 20, 1926) - 2:46
Guitar - James 'Steady Roll' Johnson (older brother of Lonnie Johnson)
07. To Do This You Gotta Know How (New York, Jan 20, 1926) - 3:10
Guitar - Lonnie Johnson
08. Four Hands Are Better Than Two (New York, Jan 20, 1926) - 3:27
Guitar - Lazy Harris
Piano - John Erby


09. I'm Not Rough (Chicago, December 10, 1927) - 3:04
10. Hotter Than That (Chicago, December 13, 1927) - 3:04
11. Savoy Blues (Chicago, December 13, 1927) - 3:31
Louis Armstrong And His Hot Five
Guitar - Lonnie Johnson
Banjo - Johnny St. Cyr
Piano - Lil Armstrong
Trombone - Kid Ory
Vocals, Trumpet - Louis Armstrong
12. Playing With The Strings (Memphis, Tenn, 21.02.1928) - 2:59
13. Stompin' 'Em Along Slow (Memphis, Tenn, 21.02.1928) - 2:55
Guitar - Lonnie Johnson
14. The Moochie (New York, October 1, 1928) - 3:20
15. Move Over (New York, October 1, 1928) - 3:10
16. Hot And Bothered (New York, October 1, 1928) - 3:23
Duke Ellington And His Orchestra
Guitar - Lonnie Johnson
Banjo - Fred Guy
Clarinet, Saxophone [Alto] - Johnny Hodges
Clarinet, Saxophone [Alto], Saxophone [Bariton] - Harry Carney
Clarinet, Saxophone [Tenor] - Barney Bigard
Drums - Sonny Greer
Piano, Leader - Duke Ellington
Saxophone [Bariton] - Wellman Braud
Trombone - Joe Nanton
Trumpet - Arthur Whetsol , Bubber Miley
Violin - Baby Cox , The Palmer Brother
17. Paducah (New York, October 13, 1928) - 3:00
18. Star Dust (New York, October 13, 1928) - 3:01
The Chocolate Dandies
Guitar - Lonnie Johnson
Banjo - Dave Wilborn
Bass - Escudero
Clarinet - Don Redman , George Thomas , Milton Senior , Prince Robinson
Drums - Cuba Austin
Leader - Don Redman
Piano - Todd Rhodes
Saxophone [Alto] - Don Redman , Milton Senior
Saxophone [Tenor] - George Thomas , Prince Robinson
Trombone - Claude Jones
Trumpet - John Nesbit , Langston Curl
Vocals - Dave Wilborn , Don Redman , George Thomas

19. Jet Black Blues (New York 30.04.1929) - 3:05
20. Blue Blood Blues (New York 30.04.1929) - 3:02
The Blind Willi Dunn's Gin Bottle Four
Cornet - Joe "King" Oliver
Drums - Hoagy Carmichael
Guitar - Lonnie Johnson, Eddie Lang
Piano - J.C. Johnson
Vocals [Scat] - Hoagy Carmichael
21. Sitting On The Top Of The World (New York, Sep 9, 1930) - 3:06
22. Kansas City Man Blues (New York, September 9, 1930) - 2:58
Clarence Williams' Jug Band
Guitar - Lonnie Johnson
Clarinet - Charlie
Cornet - Ed Allen
Jug - Clarence Williams
Piano - Charlie
Saxophone [Tenor] - Charlie
Trombone - Charlie
23. I'm Nuts About That Gal (New York, Aug 12, 1932) - 3:14
24. Racketeers Blues (New York, August 12, 1932) - 3:12
Guitar, Vocals - Lonnie Johnson

Hot Jazz and cool Blues

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