Showing posts with label Fats Waller. Show all posts
Showing posts with label Fats Waller. Show all posts

Wednesday, April 20, 2011

Jabbo Smith's Rhythm Aces: 1928-29


Updated post and link / post y enlace actualizados (2016):
http://hotjazzandcoolblues.blogspot.com.es/2016/11/jabbo-smiths-rhythm-aces-1929-1938.html



Although only 20 years old, trumpeter Jabbo Smith cut virtually all of his finest recordings in 1929, when he was touted as a competitor to Louis Armstrong. Smith's 19 sides with his Rhythm Aces (all of which are on this essential CD) are some of the most exciting recordings of the era. Often teamed in a quintet with Omer Simeon (on clarinet and alto), pianist Cassino Simpson, banjoist Ikey Robinson, and the tuba of Hayes Alvis (subs appear on a few numbers), Jabbo's reckless and explorative trumpet flights are often thrilling. Highlights include "Jazz Battle," "Till Times Get Better," "Ace of Rhythm," and "Band Box Stomp," but all of the performances (including Smith's trombone solo on "Lina Blues" and his occasional and effective vocals) are well worth hearing. The CD concludes with Jabbo Smith's four-song 1938 session, which is disappointingly tame. Strange as it seems, Smith was past his prime by 1930 when he was only 21. Except for some early sideman appearances and forgettable efforts in later years (plus one previously unissued Rhythm Ace side from 1929 that was unearthed in the mid-'90s by the Retrieval label), this CD essentially contains Jabbo Smith's entire legacy, although he would live until 1991. -Scott Yanow


During the 1920s, Jabbo Smith was a promising young cornetist whose versatility and chutzpah invited comparison with Duke Ellington's first-chair soloist Bubber Miley. Both men suffered from the disease of alcoholism, and Bubber, who also contracted tuberculosis, perished when he was only 29 years old. Although Jabbo survived and would live past the age of 80, he was inactive for most of his life and never came anywhere near matching the triumphs of his youth, many of which are documented on Pearl's Ace of Rhythm, a 25-track sampler of recordings made between November 1927 and February 1938. Unlike Smith's entry in the Classics Chronological Series, Ace of Rhythm contains numerous examples that were not issued under his name. This allows for a pleasantly varied overview as Jabbo is heard filling in for Bubber with Duke Ellington's Orchestra and participating in an unusual chamber jazz session with the Louisiana Sugar Babes (a quartet that included pianist James P. Johnson, pipe organist Fats Waller, and multi-reedman Garvin Bushell) and with a scruffy little outfit operating under the nominal leadership of Banjo Ikey Robinson; during the lusty opus bearing the title "Got Butter on It," Smith delivers a handsome scat vocal in the manner of Louis Armstrong. All of this serves as a prelude to 16 marvelous performances by Jabbo Smith's Rhythm Aces (also known as Four Aces and the Jokers), a sturdy little group whose variable personnel included Robinson, clarinetist and tenor saxophonist Omer Simeon, tubists Hayes Alvis and Lawson Buford, and pianists Cassino Simpson and Earl Frazier.

The interplay between Smith and Simeon is particularly exciting, and "Jazz Battle" is probably the best record that this group or its leader ever made. "Rub Me Some More" was recorded in 1930 by Lloyd Smith & His Gut-Bucketeers. (Discographical evidence indicates that the cornetist on this tune is not Smith at all but Clarence "Count" Rich.) Finally, the producers of this collection were wise enough to include only the instrumental number from Jabbo's Decca session of February 1, 1938, by which time he had switched to using the trumpet. There are numerous options available to those who are curious about Jabbo Smith's early recorded works. EPM Jazz Archives beat them all with a double-disc set packed with 48 tracks representing pretty much every recording made between 1928 and 1938 involving Jabbo Smith. Dipping back to 1927 to include the Ellington sides and carefully choosing some real gems from the cornetist's heyday, Pearl's Ace of Rhythm is an excellent compromise between the exactitude of the Classics compilation and the thoroughness of EPM's ultra-complete edition. ~ arwulf


01.Jazz Battle
02.Little Willie Blues

03.Sleepy Time Blues

04.Take Your Time

05.Sweet And Low Blues

06.Take Me To The River
07.Ace Of Rhythm
08.Let's Get Together

09.Sau-sha Stomp
10.Michigander Blues
11.Decatur Street Tutti 12.Til Times Get Better
13.Lina Blues

14.Weird And Blue
15.Croonin' The Blues
16.I Got The Stinger
17.Boston Skiffle
18.Tanguay Blues

19.Band Box Stomp

20.Moanful Blues
21.Rhythm In Spain
22.Absolutely

23.More Rain, More Rest

24.How Can Cupid Be So Stupid?
Recorded between 1928 and 1929.

Personnel: Jabbo Smith (trumpet); Banjo Ikey Robinson (guitar, banjo); Connie Wainwright (guitar); Fred Guy (banjo); Garvin Bushell (clarinet, bassoon, alto saxophone); Harry Carney (clarinet, alto saxophone, baritone saxophone); Omer Simeon (clarinet, alto saxophone); Rudy Jackson (clarinet, tenor saxophone); Otto Hardwick (soprano saxophone, alto saxophone, baritone saxophone); Willard Brown (alto saxophone, baritone saxophone); Ben Smith , Leslie Johnakins (alto saxophone); Sam Simmons (tenor saxophone); Louis Metcalf (trumpet); Joe "Tricky Sam" Nanton (trombone); Duke Ellington, James Reynolds , William Barbee, Cass Simpson, James P. Johnson (piano); Fats Waller (organ); Alfred Taylor, Walter Bishop, Sr., Sonny Greer (drums).




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Monday, November 1, 2010

Robert Parker's Jazz Classics In Digital Stereo: New York

Robert Noel Parker (24 December 1936 – 30 December 2004) was an Australian sound engineer, jazz expert and broadcaster, well known for his radio series Jazz Classics in Digital Stereo.

Born in Sydney, Australia, he worked for the Commonwealth Film Unit then moved to Britain in 1964 to work in the film and television industry. On returning to Australia, he received a commission from the Australian Broadcasting Corporation for a radio series on jazz.

As a collector of records from the age of twelve, he had built up a large collection of vintage music. He developed a system for transferring recordings to digital media, eliminating noise, adding stereo and enhancing acoustics. He first used an analogue machine, the Packman Audio Noise Suppressor, and later digital equipment from CEDAR Audio Ltd to transfer, retouch and enhance recordings.

With these techniques he produced reproductions of jazz records of the 1920's and earlier that are not only free of surface noise but reveal details, subtleties and a sense of presence that were not previously evident on the records, even in LP re-issues.

He used his enhanced 78rpm transfers in a long-running radio programme Jazz Classics in Digital Stereo, first broadcast in May 1982 by ABC Radio and later carried by BBC Radio 2, amongst other stations.

His transfer of "Milenberg Joys" performed by McKinney's Cotton Pickers was adopted by him as the theme tune for his broadcasts.

He settled back in Britain and set up his own studio in Devon, and followed on from his radio show with a series of vintage record transfers under the banners Jazz Classics in Digital Stereo and The Classic Years in Digital Stereo.


This is the third of four CDs in the Robert Parker series that reissues a cross section of early jazz recordings from a regional area. The music ranges from the famous (Jelly Roll Morton, Fletcher Henderson, Bessie Smith and Duke Ellington) to the lesser known (Charlie Johnson's Paradise Ten, Lloyd Scott and Freddy Jenkins). Veteran collectors will prefer to skip this sampler and get the complete sessions elsewhere but listeners just beginning to explore early jazz should find these early recordings (which range from pre-swing to some heated jams) worth investigating. ~ Scott Yanow, All Music Guide

Track List

01
Jelly-Roll Morton & His Red Hot Peppers: Burnin' The Iceberg
02
King Oliver & His Orchestra: Strugglebuggy
03
Fletcher Henderson & His Orchestra: Sugar Foot Stomp
04
Bessie Smith Accompanied By James P. Johnson: Lock And Key
05
Paul Whiteman & His Orchestra: San
06
Miff Mole & His Little Molers: Imagination
07
Eddie Condon & His Footwarmers: Makin' Friends
08
Fats Waller & His Buddies: The Minor Drag
09
Duke Ellington & His Famous Orchestra: East St. Louis Toodle-Oo
10
Charlie Johnson & His Orchestra: Hot Bones & Rice
11
Luis Russell & His Orchestra: Dr. Blues
12
Fess Williams & His Royal Flush Orchestra: Feelin' Devilish
13
Lloyd Scott's Orchestra: Happy Hour
14
Casa Loma Orchestra, The: Casa Loma Stomp
15
Jungle Band, The: Dog Bottom
16
Cab Calloway & His Orchestra: Minnie The Moocher
17
Jimmie Lunceford & His Orchestra: Stratosphere
18
Clarence Williams' Washboard Five: Cushion Foot Stomp
19
Freddie Jenkins & His Harlem Seven: I Can't Dance
20
Eddie Lang - Joe Venuti & Their All Star Orchestra: Farewell Blues

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Robert Parker's radio podcasts (recommended!)

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Tuesday, May 25, 2010

Alberta Hunter and others: Better Boot That Thing - Great Women Blues Singers of the 1920's

Alberta Hunter - Bessie Tucker - Victoria Spivey - Ida Mae Mack

There's remarkable variety among these four singers from the classic era of blues, when women dominated and urban and rural styles were a world apart. The most varied and versatile is urbanite Alberta Hunter, with her lilting voice, sweet vibrato and early-jazz rhythm. A vaudeville veteran, Hunter offers a delightfully actresslike delivery and a cheerful, warming personality; she writes interesting songs, too, and she negotiates difficult lines with ease. Ida May Mack proves quite Bessie Smith-inspired, though with a smaller voice and nothing even faintly like Smith`s rhythmic sophistication. Bessie Tucker is penetrating and primitive, with a stark alto voice and stark pentatonic lines casting a spell of dark desperation; note especially the long, low moan with which she opens ``Penitentiary.`` Urban blueswoman Victoria Spivey, despite lingering vaudeville in her setting and delivery, is in some ways the most rewarding, hard-core blueswoman here. Powerful vignettes like "Blood Hound Blues" and "Dirty Tee Bee Blues"` are near-masterpieces of blues documentary-few other blues composers have revealed such an original, tough-minded yet compassionate point of view. -John Litweiler (Chicago Tribune)


Alberta Hunter
01. I'll Forgive You 'Cause I Love You 2:53
02. I'm Gonna Lose Myself Way Down In Louisville 3:07
03. My Daddy's Got A Brand New Way To Love 2:53
04. Sugar 3:18 (Organ - Fats Waller)
05. Beale Street Blues 3:15 (Organ - Fats Waller)
Bessie Tucker
06. Fort Worth And Denver Blues 3:21
07. Penitentiary 3:31
08. Better Boot That Thing 2:38
09. Bogey Man Blues 2:47
10. Whistling Woman Blues 3:11
Victoria Spivey
11. Blood Hound Blues 2:36
12. Dirty Tee Bee Blues 3:06
13. Moaning The Blues 3:00
14. Telephoning The Blues 3:08
15. Showered With Blues 2:54
Ida May Mack
16. Wrong Doin' Daddy 3:16
17. Elm Street Blues 3:17
18. When You Lose Your Daddy 3:09
19. Mr. Forty Nine Blues 3:04
20. Good-Bye Rider 3:12


Vocals:
Alberta Hunter (tracks: 1 to 5)
Bessie Tucker (tracks: 6 to 10)
Victoria Spivey (tracks: 11 to 15)
Ida Mae Mack (tracks: 16 to 20)

Saxophone [Soprano] - Charlie Holmes (tracks: 11 to 14)
Saxophone [Tenor] - Teddy Hill (tracks: 11 to 14)
Trombone - J.C. Higginbotham (tracks: 11 to 14)
Trumpet - Henry Allen* (tracks: 11 to 14)
Bass - G. Foster (tracks: 11 to 14)
Organ - Fats Waller (tracks: 4 to 5)
Guitar - Jesse Thomas* (tracks: 8 to 10) , W.K. Johnson (tracks: 11 to 15)
Piano - K.D. Johnson (tracks: 6 to 10, 11 to 15) , Lewis Russell* (tracks: 11 to 15)
Mike Jackson (4) (tracks: 1 to 3)

Recorded from 1927 to 1930.
Transferred to digital tape from metal parts at BMG Recordings Studios, May 1992. Digitally remastered at BMG Recordings Studios, New York City, June 1992.

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